Forrest (Yw.Zv.Ur.Zv.Us), 2014, archival inkjet print, 16” x 26”
For her photographic series Bit Rot, Kalee Appleton “synthetically corrupted” landscape photographs through a manipulation of each image’s digital code. The final resulting images appear fragmented and distorted by bright colorations, with shapes formed and reformed that ultimately obscure the landscapes the original images documented.
Swamp ( zt.wg.tl.vn), 2012, archival inkjet print, 16” x 24”
For Appleton Bit Rot is representative of the “effect and consequences the recent digital age has on our lives,” and her works challenge the viewer to consider the manifold ways in which digital technology has functioned to alter visual perception, the experience of space, and the experience of the natural world.
Water Drop (r..$%,!!), 2014, archival inkjet print, 16” x 24”
Kalee Appleton is earning her MFA in Photography from Texas Women’s University in Denton, TX. She received her BFA in Photography from Texas Tech University. She is a featured artist and contributing writer for the online photography journal Light Leaked, and has given lectures on photography at Texas Women’s University, as well as McMurray University in Abilene, TX. She exhibits nationally.
Desert Range (}.o}s}.gt) , 2012, archival inkjet print, 16” x 24”
10 Weeks, Ice Fishing in Wisconsin
August 18th – September 14th, 2014
Redzepagic Shack #1, Lake Monona WI, 2011, Inkjet on Paper, 22” x 22”
Mike Rebholz’s series, 10 Weeks, Ice Fishing in Wisconsin, emerged initially from the artist’s “contemplation of the architectural form of the ice shanty.” While simplistic in form and structure, each shanty appears equipped with a localized functionality and a unique personality.
Jimenez Shack #2, Lake Monona WI, Winter 2010, Inkjet on Paper, 22” x 22”
Rebholz has been following and photographing ice fishing for years, and in many photographs in this series he also artfully captures the stunning landscape to which he is subject – the massivity of the ice as it surrounds each shanty, the saturating sunlight that casts long, dark shadows, and the snowy clouds that blur the horizon.
Blue Whale Shack, Lake Monona WI, 2011, Inkjet on Paper, 22” x 22”
In others from this series, Rebholz invites the viewer to experience the intimacy of the shanty’s interior and the warmth of the community that populates this remote, temporary village.
Canadian Club Shack, Lake Medota WI, 2012, Inkjet on Paper, 22” x 22”
Mike Rebholz studied photography at Milkwaukee Area Technical College and The Milwaukee Center for Photography. He served as Instructor at The Milwaukee Institute of Art & Design for over ten years, and is now a professional freelance photographer. He exhibits nationally and internationally.